Trying to explain the Anderson/Wakeman Living Tree Live album is like playing six degrees of separation.

There has been a lot of discussion about Shame, the Michael Fassbender and Cary Mulligan starring story of addiction in New York (not the drug kind either).

To avoid the whole “Boys from Boston” intro let me just start off by saying that fans of Live, Third Day, and Jars of Clay will adore Blue Moon Harem’s latest release, Finland.

The first thing that comes to mind when I listened to the first track off of Bradford Rogers’ latest album, GUIRO!, is that Rogers makes a very fine Jazz flautist.

Let me first start off with a tid bit that will no doubt find itself included in every review for the newest Feist album, Metals.

Its not often that I come across a lot of New Age music. For the most part Janet Robbins’ new album, Song of the Gypsy Tree, is a jazz meets very subtle electronic new age music.

Having gone back and revisited Apartment Life and Long Distance, it’s obvious to me, after having run through Ivy’s latest release, All Hours, that the bands six year hiatus could have

My first go with Anomie Belle’s newest effort, The Crush, I instantly started flying off in all directions as to what the album sounded like.

As I sat listening to The Music of James Horner as performed by The City of Prague Philharmonic Orchestra I wondered how it could be profitable or escape redundancy for an orchestra to reproduce th

Ted Jacobs' second volume to his Robert Louis Stevenson collection “Back To The Garden” has arrived, and even though I missed the first volume I have to say that if it’s anything